Her Royal Majesty’s Steampunk Symposium 2013

Yeah! David Lee Summers gave us this cool report from his adventure upon the Queen Mary for the HRM Steampunk Symposium earlier this month. He shared his report with us last yer, too, here, brought to us by nrlymrtl. David Lee Summers is an author, poet, publisher, and professional star-gazer. His website, http://www.zianet.com/dsummers/.

Her Royal Majesty’s Steampunk Symposium 2013

David Lee Summers

Arrived! My little car and The Queen Mary in the background.

Arrived! My little car and The Queen Mary in the background.

Her Royal Majesty’s Steampunk Symposium returned to the Queen Mary in Long Beach, California for a second year on January 11-13, 2013.  Like last year’s Symposium, there was a good balance of fun, educational and social activities.  There were panels and workshops, musical performances, dealers selling Steampunk wares, and many wonderful costumes.

The costumes were incredible!

The costumes were incredible!

For me, the convention started off at the “Meet the Guests” session with a rousing round of Go Fish with Thee Bluebeard and a couple of the convention attendees.  Thee Bluebeard is a pirate from Chicago adorned with goggles, a kilt and a striking blue goatee.  He’s also a wonderful performer called on to bring fun and anarchy to many of the proceedings around the symposium.

Go Fish

Go Fish

I left the Go Fish session for a signing in the dealer’s room.  This year, the dealer’s room was in a more accessible, but smaller ballroom than last year.  The good thing about the new location was that it meant more people saw there was a dealer’s room and dropped in.  Unfortunately, this ballroom was smaller than last year’s meaning there weren’t as many dealers.  I found myself on the stage between the merch tables for the bands Steam Powered Giraffe – a band of singing musical automata from San Diego – and Hello the Future – a one-woman filk band.  We had fun finding ways to let people know where we were and enticing them to see what we had.

Costume

Wow! What a get-up!

On Friday evening of the Symposium was a dinner theater featuring the music of Steam Powered Giraffe, Six-String Samurai and the magic of Dino Staats.  Tickets for the dinner theater sold out fast and unfortunately, I was one of those people who missed out.  I did end up volunteering to help distribute will call tickets to the event and was able to get inside to see the performances, even though I missed out on the actual dinner.  My Friday night finished with a presentation on Victorian Astronomy that had a nice attendance in spite of being opposite the end of the dinner theater.

Unwoman and Thee Bluebeard

Unwoman and Thee Bluebeard

Saturday morning of the convention started with Dino Staats and me holding a discussion on Victorian Magic and Science.  We talked about some of the scientific discoveries of the period and how they were incorporated into magic acts.  I unsuccessfully tried to demonstrate electrostatic attraction, but Dino showed off the counter-rotating spirals optical illusion and I demonstrated table levitation using simple mechanics.  We then ventured into a discussion of Jean Eugéne Robert-Houdin – the magician from whom Houdini took his name – and his wonderful clockwork creations, many of which may be found this day via the magic of YouTube!

Dino and David

Dino and David

Later on Saturday, Bruce Boxleitner arrived to discuss Lantern City, a new Steampunk series he’s working on.  Also on hand were his co-producer and several members of the cast, including Mira Furlan (“Delenn” from Babylon 5).  They remained after the presentation to sign posters and take a few photos.

David Lee Summers and Bruce Boxleitner

David Lee Summers and Bruce Boxleitner

The highlight of Saturday was the Masquerade Ball held in the Grand Salon.  Cellist and perennial Steampunk favorite Unwoman led the show with her hypnotic vocals and strings.  The energy kicked up during the follow-up by Lee Presson and the Nails, a 30′s-style swing band that features classics by Cab Calloway and Glen Miller.  Some purists might not think they’re very Steampunk, but they fit the Queen Mary setting very well and the music was excellent.  For those who stayed around until the end of the show, there was a light buffet supper.

Lee Presson and the Nails

Lee Presson and the Nails

During the final day of the convention, I hosted a Steampunk poetry workshop.  I shared some of my poetry, talked a little about markets for speculative poetry in general and Steampunk poetry in particular, then handed out some writing prompts.  The attendees took those prompts and wrote for a time, then shared the poems they came up with.  All were enjoyable and some even quite profound.  I finished the day sitting in on a team writing discussion held by David Drake and Katherine Morse who write the online series, The Adventures of Drake and McTrowell.

Poetry Workshop

Poetry Workshop

As with most conventions there was much more to do than one person can discuss.  There were pirate battles and a Cthulhu Prayer Breakfast.  There was a special boiler room concert and make-and-take workshops.  Phil and Kaja Foglio, creators of the web comic Girl Genius were on hand throughout the weekend.  Although they weren’t on panels nor had a dealer’s table, they graciously signed books for anyone who asked.  All in all, I had a great time at Her Royal Majesty’s Steampunk Symposium and would certainly be delighted to return for another year.

David and the Girl Genius Geniusii

David and the Girl Genius Geniusii

Chainmail: a lifestyle

Chainmail: A History, A Tool, A Lifestyle

copyright 2012 David Belt

http://www.etsy.com/shop/beltsandchains
For the last few weeks, I have been writing a multi-part series on chainmail.  Thus far, I have covered the history of chainmail, its usefulness as a tool in practical applications, and the lives of those fashioned chainmail for the armies of early Europe.  Now, I’d like to discuss the chainmail in the modern world, and the lives of those who work and enjoy it.

Part 4: A Modern Lifestyle

By the 1700s, no army in the world still used chainmail, and the craft of making chain had been remanded to simple tools.  Mail was all but lost to the world for about 200 years.  Then in 1917, a brilliant writer by the name of Edgar Rice Burroughs wrote a series of books set in the fictional world of Barsoom.  One of the main characters was a scantily clad female warrior, Dejah Thoris, Princess of Mars.  The “armor” she wore would eventually be known as “bikini mail,” an idea which gave birth to entire genre of modern fashion wear.

Burroughs’ series would become the inspiration for a number of others, who would spread his ideas through the generations.  Among those so inspired were a linguistics professor from Oxford, J. R. R. Tolkien (Lord of the Rings), a game designer, Gary Gygax (Dungeons & Dragons), a Berkeley college club (SCA, Society for Creative Anachronism), and a movie writer, George Lucas (Star Wars).   Each of these individuals gave credit to Burroughs for his imaginative ideas.  The Lucas character, Princess Leia, was even given an outfit, deliberately mirroring that of the Princess of Mars.


As the ideas were expanded by more and more individuals, the need for crafters with the skills to bring these ideas to life became a matter of necessity.  Dylon Whyte has been one of the leaders of this field for over 20 years, specializing in the crafting of European style armor.  He eventually drafted a book, The Art of Chainmail, in 2002, which details the necessary patterns required for producing virtually any type of mail, from the historically accurate “armor grade” used by the SCA to fashionable “bikini mail” worn actresses, such as Tina Turner in Mad Max: Beyond Thunderdome.
Due to the continuing efforts of fantasy enthusiasts, chainmail is flourishing in the modern world.  It has left the world of warfare and found a new home as art in a dynamic fashion industry.  Even my mascot, Mr. Bunny is getting into the act.  You can see him at conventions, often posing with other enthusiasts.


Over 3000 years since its inception and chain is still alive and well.  I hope to see you all somewhere in the world of chainmail.  Join me as I craft my craft, day by day, link by link looking for the beauty that lies dormant somewhere in the chain and the scale and the art.

Chainmail: a lifestyle

copyright 2012 David Belt, http://www.etsy.com/shop/beltsandchains

Chainmail: A History, A Tool, A Lifestyle
Over the next few weeks I will be writing a multi-part series on chainmail.  I am frequently asked questions and have become something of a resident expert on the subject.  Here, I will be sharing some of what I have learned.  Thus far, we have covered the history of chainmail and its usefulness as a tool in practical applications.  Now, I’d like to discuss the centralized and often less practical lifestyle that is the world of chainmail.

Part 3: A Lifestyle
For over 3000 years, men and women have been devoting themselves to manufacturing and using chain.  The manufacture of chain has always been tedious work, weaving strong metals, independently, to retain both strength and flexibility.  In modern times, metals are drawn into wire.  This wire is wrapped on a mandrel, and then cut into individual rings.  Finally, the rings may be woven into the intended pattern, some patterns utilizing 50,000 or more individual rings.  If additional strength is desired, the rings may be welded or riveted together, doubling the overall workload.
Prior to the development of steel, historians do not believe metallurgists of early iron working had learned the practice of drawing wire.  This leads to a number of debates as to exactly how these early blacksmith crafted chain.  One thing is certain, by 300 AD, thousands of suits of chainmail armor was being manufactured for the armies of the world.  With modern technology, it would take a skilled armorer more than a month to craft a single suit of armor.  So, how did these armorers of old craft so many for their respective armies?
The answer lies in the lifestyle of the times.  People lived to work.  It was not so much a love of work, but a necessity to survive.  War always brought new resources and thus new opportunities for people to make a living.  Teams of people would apprentice themselves to a master crafter.  Twenty or more individuals would work for a single master crafter.  In the world of armor making, strong arms would punch or cut rings from sheets of hammered iron.  These rings would be collected in buckets, usually by young children or women who couldn’t work the heavy hammers.  Then, the rings would be prepared for the master crafter by boring holes and fashioning rivets, finally the master crafter and perhaps a few trusted senior journeymen would receive as many as 10,000 rings a day to weave and rivet into the patterns laid out by the master.
This was their life, day in and day out, resting only for their respective Sabbaths.  It was hard work but rewarding as well.  For those who worked, ate.  For those patriots who believed in their nation or had loved ones at war, they had a hand in ensuring their victory and safe return.  And for those who could not or did not want to war, a master armorer could shield them from recruitment into the armies, as they provided a service that could not easily be replaced.
Chainmail certainly played a practical role in lifestyles of people thousands of years ago, but what about today?   Without the need for armors of war, how has chainmail remained a lifestyle to so many today?
Next week, I’ll answer these questions in my fourth and final part to this series.  Chainmail: A Modern Lifestyle.

Chainmail: a tool

text copyright 2012 David Belt

http://www.etsy.com/shop/beltsandchains

Chainmail: A History, A Tool, A Lifestyle

Over the next few weeks I will be writing a multi-part series on chainmail.  I am frequently asked questions and have become something of a resident expert on the subject.  Here, I will be sharing some of what I have learned.  Last week, we covered the history of chainmail.  This week, we will be looking at chainmail as a tool and covering its practical applications.

Part 2: A Tool

Chain was originally designed for use in pulley systems as a replacement for rope in heavy duty applications and is still used for this purpose today.  If innovation has taught us anything, it is that tools often have more uses than that for which they were originally designed.

Around 400 BC the Celtic empire developed the gladius, an iron short sword with a bronze and wooden handle.  This weapon would later become standard issue for soldiers throughout Europe due to its quick deployment, ease of use, and most importantly, the ability to penetrate the bronze and leather armors of the time.

During this time period, technologies in bows were also advancing, including the development of the armor piercing crossbow.  By 200 BC, these weapons were so prevalent, bronze and leather armors were made obsolete.

As Celtic technology started the demise of conventional armor, Celtic technology also devised the answer in what would eventually be called European chainmail armor.  This armor was made of thousands of iron rings, riveted together into a shirt or coat of mail.

The effectiveness of this new armor style was twofold.  First, the riveted iron rings could not normally be penetrated by the weapons of the time.  A layered padding of thick cloth or hide was worn under the chain to help cushion the blow from a mace or heavy handed sword.  This padding would also reduce the impact speed of bolts and arrows, limiting their ability to penetrate, as well.  Secondly, the flexibility was vastly superior to its stiff leather and bronze predecessors, allowing the wearer complete freedom of movement on the battlefield.

The most common design of chainmail armor was the hauberk.  This armor consisted of a chest piece, which fell as far down as the knee, and ¾ length sleeves that ended just past the elbow.

Variations to hauberk did include a hood, called a coif.  While the coif was widely used, it was equally ineffective.  The head did not have the same padding as the body, so there was no protection from skull fracture, and lacerations could be caused by the riveted chain.  Any rust on the chain could then lead to an infection, which was a leading cause of death on the battlefield.  Imagine being killed by your own armor…

Another common variation was the inclusion of leggings and full length sleeves.  Since the majority of chainmail armor in Europe was mass produced for large armies, there was little to no custom fitting outside of the nobility.  This meant full length arms and leggings were bulky and cumbersome, weighing limbs down, and often, tiring the wearer before the battle was over.

By 1400 AD, metallurgy had replaced iron with steel, and tempering techniques allowed for the manufacturing of steel plates that functioned superior to chainmail.  While chainmail was widely used to support the new plate mail, it eventually died out completely and was no longer in use in Europe by 1600 AD.

In Asia, however, chainmail was still in military use until the 1800s, most notably in Japan, where the kusari armor was fashioned for the samurai.  Kusari was an elegant design with as many variations as there were samurai, because each suit of armor was custom fitted to the samurai.  Kusari largely composed of tempered steel rings woven around leather strips, providing fluid movement and full body protection.

Firearms ultimately remove the feasibility of all metal armors as the increasingly powerful weapons would easily punch through the heavy armor.

There are, however, other modern applications for this ancient tool.  Deep sea surveyors will wear a suit of chainmail, commonly called “Shark Mail.”  This armor consists of approximately 100,000 titanium rings and is very effective at preventing most injuries caused by shark bites.

Another modern use of chainmail is the butcher’s glove, which pairs nicely with a butcher’s knife and prevents accidental loss of butcher’s digits.

In a surprise return to warfare, Pinnacle’s Dragon Skin armor is an adaptation of scale mail which was an early form of plate and chain armor.  While this modern armor of Kevlar fused metal discs has no direct connection to the chain of old, designer Murray Neal admits the design was inspired by medieval scale mail armor.  Dragon Skin armor is used today by law enforcement and military throughout the world as a means of defense against firearms and bladed weapons.

No one knows what the future holds for chain, but one thing is certain.  Chainmail has been and will continue to be a very useful tool.

Join me again next week as I start to really “geek out” when I delve into the lifestyle, past and present, of chainmail.

Chainmail: A History, A Tool, A Lifestyle

Copyright 2012 David Belt


Over the next few weeks I will be writing a multi-part series on chainmail.  I am frequently asked questions and have become something of a resident expert on the subject.  Here, I will be sharing some of what I have learned.
Part 1: A History
There is much we do not know about the history chainmail, largely due to the lack of historical documentation.  It would appear that records of chainmail, its use, and manufacturing processes were not important to the scribes and historians of the times.  Our knowledge of its origins is based on the few surviving drawings, statues, and artifacts depicting its use, as well as a few fragments of actual mail.
Historians still debate over who developed chainmail first and how it spread to become the dominant armor used in the world for over 2000 years.  What we do know is that it was independently developed in both Asia and Europe at approximately the same time.  The Chinese and Etruscans both developed chain approximately 3000 years ago as a decoration and as a tool for pulley systems.  Wire drawing and iron working technologies had not yet been developed, so chains made were not very strong and were heavy, so they were not suitable for armor.
Prior to 400 BC, we know the Etruscans developed chainmail armor as we have depictions of generals wearing such, but this armor would have been made of bronze, not iron, and its ring pattern does not match the patterns later used throughout Europe.  Oddly enough, almost 1000 years later, the Japanese develop kusari for their samuri, a form of chainmail with striking similarities to the Etruscan armor.
The Etruscan culture died out and was assimilated by both the Romans and Celts.  The Romans learned armor crafting from the Greeks, but the Celts may have learned from the Etruscans.
 The Celts did develop iron working first, and crafted the first chainmail made of iron around 300 BC.  However, the pattern of the mail is quite different from the early Etruscans, which means the Celts may have developed the technology separately.  Regardless of its origin, the Celtic chainmail was so effective that it was undoubtedly the leading cause of their early victories over the Romans, when Rome invaded Gaul (early France) around 200 BC.  This is where the original word “chainmaille” comes from, a French word meaning “net of chain.”  Eventually, the Romans conquered the Gauls and adopted their superior chainmail armor and iron working techniques, spreading the technology throughout Europe and into Asia.  The Celtic armor pattern is today referred to as European mail.

As metallurgy techniques developed, steel replaced iron, and eventually plates of steel replaced much of the riveted links of chain, giving birth to platemail as the dominate armor in Europe around 1400 AD.  Though chainmail was still in use as military armor as late as World War I by the British army as flak protection on the outsides of their helmets.

I’ll leave you now with this bit of history.  Join me again next week, as we delve into chainmail as a tool, its uses in history and today.

Stitching Library

I am scanning and uploading the images from an anonymous stitcher’s personal stitch library. These are linen scraps upon which this stitcher embroidered different stitches and variations on stitches for her (presumably) own reference. I inherited these from the woman who taught me to weave.

I thought it would be a damn shame not to share this person’s work and effort. The files are huge and there’s lots of them and they’re really boring if you don’t embroider.  They are being posted here (LINK!). I’ll add a Thing on the sidebar here on DC so that you one stitcher who might want to refer to these images later can find them.

a stitch library

Costume Angst

copyright 2012 David Belt

It’s that time of year again, the one holiday when every adult gets to act like a child. No, it’s not Christmas; it’s bigger than that. It’s Halloween.

Halloween checklist:

Party Invite – Check (even the most agoraphobic of us are expected to be social this night)

Gratuitous Amounts of Candy – Check (far more candy than I would ever need to pass out to the two children that live on my street, half of which will be eaten before Halloween, the other half will be taken to the before-mentioned party, so I don’t eat it all)

Costume – Umm, about that…

I wear a costume to work. I wear a costume at conventions and festivals and ren faires. I make costumes for a living, so one would think I could come up with something. This is the only day of the year I get to pretend to be someone else. (Okay, not the only day, but it’s a biggie.) There is no shortage of ideas out there. A quick google reveals but a small fraction of possibilities.

The possibilities are mounting, and the time is shortening.

So, why is this bothering me? Simple, because I am allowing it.

The empirical truth of human nature is that we allow otherwise superficial concepts to cloud our priorities. It does not matter what I wear, or if I wear a costume at all, but if I allow it, this conflict will consume until me until I make a decision. Once I make a decision, then it could continue to bother me until I actually have the costume. Then, I can be stuck pining over whether, or not, I got the right one.

So, why? Why do we do this to ourselves over such a superficial and eventually meaningless event?

In spite of all our great accomplishments and cerebral prowess, we are inevitably human. We are the only creatures on the planet who blush, who will put cosmetic desires before physical needs.

Find that thing in your life that you are superficially obsessing over, and do yourself a favor. Take a holiday from it. You don’t need to put it off entirely. Just, try not to let it consume you. You’ll find yourself a little happier, your day a little lighter, and just maybe, you’ll figure out what to wear for Halloween.

Clockwork Phoenix Pins

I know, me and handmade jewelry… but this *is* cool.

This is a video of Anita Allen showing how she’s making the pins for the Clockwork Phoenix 4 Kickstarter backer rewards (just over two minutes):

http://www.kickstarter.com/projects/1980499216/clockwork-phoenix-4-new-stories-of-beauty-and-stra/posts/270248http://www.kickstarter.com/projects/1980499216/clockwork-phoenix-4-new-stories-of-beauty-and-stra/posts/270248

David Belt Chainmaille

At RavenCon this year I was attending a panel that Rob Balder was part of. Balder was going on and on about something about making money with something, something about some webcomic something or other. Absolutely not listening to Balder because I was captivated by the fellow sitting behind me, quietly working away constructing a garment (!) from these thumb-sized scales and chain mail rings. Rob Balder is the writer and editor of ErfWorld, a super famous comic. At the end of Balder’s going-on David Belt jumps up and presents Balder with a “dwagon” covered in chain-mail armor. For an idea of what I saw, see the Bunny image below. Me=TotallyEnchanted.

David Belt sells his cool sculptures under Belts & Chains and you can find him at the different conventions around VA. Thanks so much for the interview, David!

How long have you been working chainmaille, how did you begin this creative journey?

It all started about three years ago.  Like many people, I thought chainmail belonged in SCA (Society for Creative Anachronism) events and historical or fantasy-based movies.  Chainmail was okay for what it was, but it wasn’t for me.  Then, I saw something that totally changed my world and my perception of chainmail.  What I saw was a Japanese Cube (Picture attached), a three dimensional chainmail construct of simplistic, yet intriguing design.  I queried the vendor who was selling the artifact, and she advised me to Google the answers on the internet.

Japanese cube

 
I found a number of virtual mentors online, most notably Dylon Whyte (Art of Chainmail), Jeff Olin (cgmaille.com), and a variety of artists from M.A.I.L. (Maille Artisans International League).  I purchased a starter kit which contained 2 pliers and 3000 rings, and I just started mailing.  Within a month, I ordered more supplies and better quality pliers.  A few months later I had 10,000 rings and a half dozen unfinished projects, but nothing I was trying to make really spoke to me.  I was copying the patterns I had learned, flawlessly, but it wasn’t me.  I needed to do something special.  In February of 2010, I found my muse.  As a Valentines gift, I endeavored to craft a flower composed entirely of chain and scale.  After 10 hours, this labor of love was complete.  I had created a free standing, three dimensional, flower, captured in the height of its bloom.
 

Chrome flower

By my current standards, the flower I made that day wasn’t very good, but its reception was nothing less than stupendous.  The encouragement I received by all who viewed this creation drove me to newer heights and greater deeds.  After doing a few commissions for isolated individuals, I made an economic leap and created Belts & Chains, a company dedicated to creating high quality, unique, chainmaille artwork.

 
Do you have other creative endeavors?
I write as often as my busy world will allow.  I am currently working on a novel that focuses on a young man coming of age and the predjudices he must face, being different from his peers.  I hope to have the novel finished by the end of the year. The theme of the book is “Do whatever it takes to do the right thing.”  How many times do we choose to live with the shame of what might have been because it was easier than suffering through the pain of whatever it took to do the right thing?
 
Where do you take your inspiration for your designs?
 
I greatly enjoy the concept of art imitating life, therefore, I enjoy making pieces of chainmaille art that imitate real life or at least my view of real life.
 
My flowers I endeavor to make as life like as possible.  My armored plushie animals wear their armor much the same as if they were real.  The armor I make is not simply decoration, but an adornment which may donned and removed.  This provides those who are children at heart with a life like armored pet, while providing those parently minded the ability to remove the armor and wash the plushie (machine safe) and the armor (dishwasher safe).  The jewelry and clothing pieces I make I want to be a common place of their owner’s wardrobe.  I want customers be able to purchase a product and never have to take it off: [to be able to] sleep with it, eat with it, work with it, exercise with it, bathe with it, live with it if they so choose, and indeed, I have customers who do just that.  Hearing those stories inspire me.  We don’t often enough have the opportunities to impact another’s life, so when I hear that something I have made has become a part of someone’s life, I can’t ask for a greater compliment.
 
Which is your favorite RenFaire/SFCon type event?
 That’s a tough one, but my heart will always be at GENCON INDY.  I don’t get to go as often as I’d like, but it truly is the best four days in gaming.
 
Of which piece are you most proud?
Most definitely my flowers.  I have long toiled on their design.  The pattern used to create the first sold versions of my flowers took me 9 months to muster, and I continually revise the pattern, make new versions, and incorporating new ideas, such as my black rose, potted plants, and the newest chrome flowers.
 
It never occurred to me to *want* to wear chain mail before seeing your designs. All of your work is unique in this way. I’ve seen a lot of chainmaille and for the most part it’s pretty but passable. Your designs stop people, both in the vendor booth and when they’re being worn. Why? What am I seeing when I look at Belts & Chains designed piece?
 
Let me start by saying thank you.  Compliments such as yours make me proud to do what I do.
 

This I love. I totally want to wear this. -editor

To answer your question of why my pieces stop people who would never have considered owning chainmail before, it is because they are seeing something in the piece that makes them want to have it as part of their lives.  The specific reasons are as infinite as individuals, but the concept is always the same, the piece speaks to them.  It says, “I understand you, because I am like you.”

 
As to what you are seeing in a Belts & Chains designed piece, you are seeing my pride and earnest desire to make art imitate life.  Each design has a part of me in its creation.  It is that pride, that desire, that part of my life you see that lends to you your own pride, your own desire to make that piece a part of your life. 
 
Do you have any mantras or advice for the creative or crafting folks, whatever their chosen field?
 
The only advice I have is to put yourself into whatever you might do.  It is all too easy to copy the work of others, but if that is all you do, then all you are left with is the pale reflections of others.  Put your mark on the world in whatever manner suits you.  It’s not important to be well known for your work, but it is important for you to know you have made a difference.  And you will make that difference if you put yourself into the work you do.  On this note, I would like to leave you with a song I wrote many years ago.

I made David send me a photo of himself so that you can find him in the vendor room at your next Con.

 
I Want to Make a Difference, Too 
-David Belt
You read all about it in Time Magazine
Someone’s won a Nobel Prize, acknowledged for his dream
Oh, how I wish that he were me
He has his great work, if that’s all he ever does
He’ll know he’s made a difference, somewhere to someone
Oh, how I wish to be him
 
I want to make a difference to
People far and wide
I want to make a difference to
People close by
I want to make a difference to
That man in the mirror
Someway, somewhere, somehow,
I want to make a difference, too
 
I’m drifting in and out, I don’t know which way to turn
I can’t help but sit and think how much more I’ve left to learn
Oh, how I wish I knew the way
I’m a prisoner in this world of hope and charity
Chained by the thought no one even knows my name
Oh, how I wish to be free
 
I want to make a difference to
People far and wide
I want to make a difference to
People close by
I want to make a difference to
That man in the mirror
Someway, somewhere, somehow,
I want to make a difference, too
 
Last night I dreamed I died and climb the stairs above
I said, “Wait, this can’t be it.  I haven’t done enough.”
Oh, how I wish you knew
That voice came from above, I was both frightened and assured
I could move or think or breathe, then came another word
Oh, how I want you to know
 
You have made a difference to
People far and wide
You have made a difference to
People close by
You have made a difference to
Me
Someway, somewhere, somehow,
You have to make a difference to you
 
I’m going to make a difference to
People far and wide
I’m going to make a difference to
People close by
I’m going to make a difference to
That man in the mirror
Someway, somewhere, somehow,
I’m going to make a difference, too

Videos from ConCarolinas

Concarolinas 2012 challenged me in a few ways, social skills was one of them. You’re thinking “social skills?”…”sci-fi con?” What gives?

People seemed to know me, which was truly bizarre. I made a new friend, I struck conversations with people I don’t know, defended my position in a heated debate, and was strongly encouraged to pitch Antimatter ePress–cold, to a famous guy (that was pretty tough).

Additionally, I was asked to find myself on facebook so that I could “friend” someone in that social medium. Y’all know how much I loooove FB (that’s sarcasm, ok?). That was a bit of a technical challenge. (Does this link work for that?) But people do use FB for real connections, and I need to be better at utilizing it.

While we’re at it, I like twitter a little more: @djerfisherite.

Alright, now the good stuff. Welcome to YouTube. I have this stupidly expensive phone, why not use it? So I went around and videoed people who were interesting to me. People were amiable and interested in being videoed for the yootubes, and I muddled through the technicalities. Jonah says there’s a way for you to view video feed as a channel or subscription or some such. Let me know if you can get that going. Enjoy!

The SCA dudes on the escalator

Fashions by Figment, chain mail division

Jonah’s Outdoor Show

D. B. Jackson (aka David B. Coe) tells us about the soon to be released Thieftaker

The Jason Basden Hats: note, this video includes some of my trademark sideways videoing technique. Err, I know not to do that now. Just turn your head sideways. The vendor room was pretty noisy and Mr. Basden might actually be more soft spoken than I am so you might want headphones. He’s got interesting things to say about what he does. The post for this video published on Sunday, here: http://darkcargo.com/2012/06/03/the-jason-basden-hats-at-concarolinas-2012/