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Darkcargo's Explorer Challenge.
Ye Olde Booke Club.
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Ye Olde Booke Club, January

January 1, 2012

Hey! It’s Vintage Sci-Fi month, as deemed necessary by Little Red Reviewer!

Darkcargo posts for Vintage SciFi month:

http://darkcargo.com/2012/01/08/a-tiny-bit-about-jack-williamson/

http://darkcargo.com/2012/01/15/brave-new-world-double-feature/

http://darkcargo.com/2012/01/15/welles-wells-war-of-the-worlds-radio-drama/

http://darkcargo.com/2012/01/15/journey-to-the-center-of-the-earth/

20111229-155817.jpg

Read more…

funny guys

January 27, 2012

o, you so funny!

This month”s stomp&pout-fest (for me) resulting from Brave New World led me straight to this week’s Friday Chat topic. Humor is my coping mechanism, and heavy books with sooper seeerious topics that don’t have any humorous relief get me down.

I like humor in my books, that’s just that. I like to laugh. Humor comes in all kinds of guises, you know, I don’t need to tell you this. It ranges from self-deprecatory (me, laughing at myself) to the humiliating bullying and ridiculing of others; from subtle puns to outlandish slapstick. Humor can have no other purpose than its own existence, or can lighten the mood of a difficult topic.

Being successfully funny is hard. Don’t tell me you’ve never stood there laughing at your own joke. And writing it is harder, as there is nothing conveyed via body language or voice. It can go on too long, fall flat, make too obscure a reference, etc.

Who, in science fiction and fantasy, makes you laugh?AND WHY? What kind of humor do they employ in their writing, do you think?

To make you guys earn your keep, I’ll go ahead and list the big names. Of course, I’ve most certainly short-changed these authors with my brief descriptions, so please expand on these if you like!

Terry Pratchett– puns, slapstick, satire

Jim Butcher– self-deprecatory (Harry laughs at himself a lot), puns, unexpected twists, lightening of a dark or heavy scene in the story, one-line zingers

Douglas Adams– humor that spirals into the ridiculous, jokes at the expense of Humanity as a whole

Christopher Moore– straight-up slapstick, satire, twists

War of the Worlds Double Dose

January 26, 2012

At the beginning of the month I listened to Orson Welles’ radio program War of the Worlds. I found it on YouTube in six parts, each about 10 minutes long. (Here is Part 1). It was good. It was creepy. It was believable. I was up way too late with a bad head cold – very sleep deprived and filled with a variety of cold-combating drugs. This made the performance even better.

I could just see how in that time of limited technology and news programs, that people truly believed that something was going down. Maybe not Martians, per se, but surely a world calamity was just around the corner?

With that appreciation on my mind, I decided to read H. G. WellsWorld of the Worlds, written 1898. I chose the audio version from NetLibrary, performed by Christopher Hurt. This tale started off very mellow. Every day British dude doing his morning routine, fetching a morning paper, some rumor or tall tale about some space pod. So of course folks have to pack a picnic basket and go out and see for themselves and have a little holiday. Eventually, unfortunately, the Martians inside the space pod wake up and use this incredibly effective heat ray to barbeque everyone who came out for fun in the sun and sight-seeing. Thus starts the calamity.

Through one man’s narration, we learn of his choice to send his wife off with her cousin to some safe, cozy country side, while he goes trekking into danger. Personally, I think this guy was a more dedicated sight-seer than his wife. Personal opinion here: I think that relationships that are lopsided like that (1 person has all the common sense and the other person has all the fool-hardiness) are pretty difficult to maintain over a number of years. Here is me wishing them luck.

We get to follow this guy through descriptions of the scenery, other humans’ reactions to the situation, the military actions he stumbles upon, and the destruction by the ever increasing number of Martian space craft zapping the cities to rubble. There are several well thought-out dialogues about how humanity may or may not continue under Martian rule. I especially enjoyed the speculations on the Martians themselves, based on what little the humans had seen of them.

But as many of you know, the Martian Rule never comes to pass. Their strange terraforming red weed never takes and eventually they themselves are brought low and decimated. I won’t say how, just in case you truly don’t know. Overall, the sheer mellowness – lack of gore and descriptions of violence – surprised me. I mean, the Earth is being invaded. Humans are being wiped out. It was quite a nice change of pace from the modern horror stories.

Oh, Skeen…

January 25, 2012

20120125-010022.jpg

What trouble are you going to get into tonight?

This next chapter is titled “Departure Before Dawn, or Three Hours’ Sleep! How Do I Get Myself Into These Things?”

Skeen’s Leap, Jo Clayton (out of print, from DAW)

New Words: grotty

January 25, 2012

“Dozens of grotty little blankets were set out on the floor, covered with food: bowls of bony chicken marinated in cheap almond wine, soft thresher-fish tails wrapped in bacon and soaked in vinegar, and brown bread flavored in sausage grease.”
–from The Lies of Locke Lamora, by Scott Lynch

grotty
grot⋅ty /’grɑti/
adjective 1
very unpleasant or offensive • a grotty little play
1 comparative: grottier, grottiest
ORIGIN: Clipping of grotesque. Possibly from Scottish Gaelic grod (rotten, putrid).

Explorer Challenge: Poetry?!? Really???

January 24, 2012

When Lady Darkcargo finally revealed the Explorer Challenge 2012 guidelines, I was dismayed that poetry was on the list. I figured she wouldn’t be able to throw anything up there that would truly stump me. But, alas, a book of poems has never been a part of my forte. You could pick a book in any language, living or dead, and I would gladly undertake the challenge, little translating dictionary by my side.

So, you poetry lovers are probably rolling your eyes at me. And that is OK. Because I guarantee that I have rolled my eyes at your favorite poetry at one point or another. With poetry, I often feel that the essence, and sometimes the elegance of language, is lost in the effort to meet the meter, syllabic count, and the rules of rhyme. If those are the things by which a poem is judged, I think most folks that can count to 10, recognize a syllabic break, and can rhyme a word through the alphabet, can make poetry.

Is it pretty? Is it moving? Does it stick in your head for years? No. But it is poetry. And I just don’t care for the bulk of it, social brute that I am.

And yet….Lady Darkcargo challenges me in this way to force me to grow. Or at least become more widely accepting of teacakes and poetry readings. Recently, I finished Endymion Spring by Matthew Skelton, a children’s book about a magical book and an adventure through Oxford. In this book, Goblin Market by Christina Rossetti is mentioned a few times. A Victorian poem about goblins? Huh? Well, this I have to hear.

So I tracked down a free reading of it online over at Verkaro.org and took 27 minutes and 13 seconds out of my life to expand my poetry-dearthed inner self. Unfortunately, I liked it – which means I will have to seek out more such poetry and revise my stance on the genre as a whole. Sigh. Feel free to giggle. I know I had to chuckle at myself.

The original fairy tales had death and darkness and were meant to be lessons and warnings to children. Goblin Market falls into the same quality entertainment. There’s goblins, two sisters nearing adulthood, lots of irresistible fruits, and some layered advice about being chaste. Or female solidarity. Or perhaps feminine allure. Maybe. Which is great. A good piece of literature should have more than one interpretation.

New Words: Bibelots

January 24, 2012

“She prowled about, flashing her pinlight over any bit of shadow that seemed interesting. She slipped several small carvings and other bibelots into her shoulder bag, then went cautiously out the door.”

-from Skeen’s Leap by Jo Clayton

bibelot (plural bibelots)
A bauble, knickknack or trinket

(thanks, Wiktionary.org!)

Fool Talk

January 23, 2012

It be all fool-talk, lock, stock and barrel; that’s what it be, an’ nowt else. These bans an’ wafts an’ boh-ghosts an’ barguests an’ boggles an’ all anent them is only fit to set bairns an’ dizzy women a-belderin’. They be nowt but air-blebs. They, an’ all grims an’ signs an’ warnin’s, be all invented by parsons an’ illsome beuk-bodies an’ railway touters to skeer an’ scunner hafflin’s an’ to get folks to do somethin’ that they don’t other incline to. It makes me fretful to think o’ them. Why, it’s them that, not content with printin’ lies on paper an’ preachin’ them out of pulpits, does want to be cuttin’ them on the tombstones. Look here all around you in what airt ye will; all them steans, holdin’ up their heads as well as they can out of their pride, is acant – simply tumblin’ down with the weight o’ the lies wrote on them, ‘Here lies the body’ or ‘Sacred to the memory’ wrote on all of them, an’ yet in nigh half of them there bean’t no bodies at all; an’ the memories of them bean’t cared a pinch of snuff about, much less sacred. Lies all of them, nothin’ but lies of one kind or another! My gog, but it’ll be a square scowderment at the Day of Judgment when they come trumblin’ up in their death-sarks, all jouped together an’ tryin’ to drag their tombsteans with them to prove how good they was; some of them trimmlin’ and ditherin’, with their hands that dozzened an’ slippy from lyin’ in the sea that they can’t even keep their grup o’ them.

Dracula, Bram Stoker

I am really enjoying this 2011 YOBC selection. It is far more subtle than any of the movies with so much more culture and manners of the time. I am finding it a very satisfying read.

Her Royal Majesty’s Steampunk Symposium 2012

January 22, 2012

Guest Post by David Lee Summers

The Queen Mary

Last summer, I was asked if I would be a guest at a debut steampunk convention called Her Royal Majesty’s Steampunk Symposium aboard the Queen Mary in Long Beach, California. The

D L Summers in the engine room

Queen Mary is an ocean liner originally launched by the Cunard Line in 1936. It served as troop carrier during World War II and was finally retired from service in 1967. It was moored in Long Beach and has served as a floating hotel and museum almost continuously since then.

I grew up in Southern California and had fond memories of visiting the Queen Mary as a child. I was in awe of the sheer size of the vessel. I loved the engines and the propellers. I liked visiting the bridge and imagining steering the vessel over the waters. Even as a kid, I was taken by the grand ballrooms and beautiful furnishings of the passenger sections. The history of the vessel fascinated me as well. When I heard about a steampunk convention aboard the vessel, I couldn’t imagine a better venue.

The Court of The Queen of Steam

The symposium itself was held from January 13-16, 2012 and provided a nice balance of fun, social, and educational activities. The event was overseen by “The Queen of Steam” who helped to bring a sense of continuity and fun to the weekend. My understanding is that the good queen has presided over Renaissance Faires in California. Remaining royal and in character, she helped the participants immerse themselves in the created steampunk world aboard the Queen Mary.

Couture Show

There were discussion panels covering such topics as definitions of steampunk, how to write steampunk, and steampunk at war. An interesting, and in some ways terrifying, workshop was called “Author Story in the Round.” The moderator asked author Olivia Grey and I several questions about how we work as writers. Afterwards, he gave us a story starter and then asked us to continue the story for three minutes apiece. After I started and Olivia continued, we turned the story over to the audience. My impression is that it gave members of the audience a unique insight into the writing process.

The Magic of Dino Staats

Another particularly interesting panel I participated in was called “Steampunk Magic and Science.” On the panel with me were magicians Dino Staats and Professor D.R. Schreiber. We spent the hour talking about the science that allows magic to happen. Staats and Schreiber talked about how magic and science go hand in hand. I was able to take the science into a little more depth than the performers. In addition to the magic and science panel, I gave a presentation delving into the astronomy of the Victorian age.

Couture Show

Beyond the panels and workshops, there were also a number of entertaining shows. On Friday night, we were treated to a dinner theater featuring the music of Six-String Samurai and Steam Powered Giraffe. Dino Staats performed magic and Sky Kings Falconry showed off their beautiful birds.

Queen of Steam and Owl Dance

Saturday at noon was the Queen’s Couture. The centerpiece of the couture was a fashion show where a number of the clothing vendors showed off their wares. In addition to that, Sky King Falconry brought in an owl and a falcon. How better than to follow an owl than for me to read a section of my novel Owl Dance. I also read my post-apocalyptic story “The Zombie Shortage.” I was followed by a comedy routine by Steam Powered Giraffe.

Unwoman

Saturday night featured a masquerade ball. Music was provided by Unwoman, performing on her cello and singing haunting melodies. She was followed by Jon Magnificent who won the 2010 Best Rock Album of the Year in the 20th Annual Los Angeles Music Awards.

Jon Magnificent

What really stood out for me about Her Royal Majesty’s Steampunk Symposium was that almost everyone who attended was in costume. This made for a truly immersive experience, where it felt like I had sidestepped into a steampunk reality for the weekend.

Perhaps the most touching element of the weekend for me personally was going to the engine room reception and being greeted by my college roommate, Ken Silsbee. We shared a dorm room at New Mexico Tech for two years in the 1980s. He flew down all the way from Seattle to be at the event.

Friends from NM Tech

As I write this, I feel like I’m just touching on a few of the great things that happened. There was also a ghost tour, where we saw haunted areas of the ship. A former Soviet Submarine is now moored alongside the Queen Mary and we got to tour that. A movie room ran throughout the convention and I discovered a wonderful short film called Child Invisible.

Couture Show

Sure, there were a few first-year glitches, too. The program came out with no panel descriptions and the dealer’s room was difficult to find. There was a general lack of signage. That said, the con staff was all extremely helpful and receptive to suggestions. I have no question these things will be fixed by next year. In spite of the minor issues, my impression was that people had an outstanding time and, at the end of the day, that’s what really matters.

Fairy Hunter

I hope if the opportunity presents, you’ll join us for Her Royal Majesty’s Steampunk Symposium in 2013!

Taking my lobster for a walk

Star Pajammies

January 22, 2012

This is interesting on a lot of levels–design, sociology, creativity, multi-generational perception of cultural icons…

But mostly it’s just fan-tastic! How many bendy straws does it take to make a crowd-sourced full-length feature fan-film?

Stop what you’re doing and watch this because it probably won’t be up long.

http://www.youtube.com/watch?v=7ezeYJUz-84&feature=youtube_gdata_player

Hopeful Perseverance

January 21, 2012

Guest Post by Rhi Denissen

Understand that, being raised in a Jewish home, and going to Sunday School every week for years, it’s been drilled into me since a very early age that books are special. Sacred, holy, not to be defaced, bent, folded, spindled, or mutilated. I mean, c’mon. We’re “The People of The Book“. In Sunday School, if you dropped a book, you had to pick it up, make sure the pages were still perfect, kiss the spine, and say a prayer asking for forgiveness. We, as a people, don’t take books lightly.

Recently, I bought Jean Auel‘s “Land of Painted Caves” for all the right reasons – I was familiar with the author, familiar with the series, and looking forward to something fairly light and pleasant for a long flight.

I also bought the book for all the wrong reasons. The cover was pretty, I assumed that being book six in a series, this must be the same quality as the first couple I’d read, and – sadly (I’m cheap) – it was much less expensive than the other book in my hand.

Jean Auel’s “Land of Painted Caves” was $8.99 for 848 pages. Kathryn Stockett‘s “The Help” was $16.00 for a meager 451pages.  A penny a page, versus $.35 per page.  It LOOKED like a better value. So, it was cheaper over all, and was, page for page, a much less expensive book – penny a page versus thirty-five cents. I know, you get what you pay for… Remember, I was in an airport magazine shop with a small selection, and I was working with a very limited budget, facing down almost a month on the road, and I went for the value buy.

It was fairly clear, early on, that this was not the authorship I remembered. I was, however, stuck at 40,000 feet for the next six hours. By the time the plane landed, I’d read the entire Skymall catalog and all of the Spirit Magazine, including doing all the puzzles. I’d also managed about 20 pages of “Caves”. On retrospection the next morning, surely, the book couldn’t actually have been that bad, could it? Surely, I was just stressed being on a plane, and headed to pack up my mother’s apartment. I must just have had the blues or something. So, that next evening, after a long hard day of packing, I pulled the book out again. At least, I woke up 12 hours later with it on the pillow next to me. By the end of the first week I’d managed maybe a hundred pages. Clearly, I was just tired. By the end of the second week, I’d reread the first hundred pages.

By the time I got back home, I’d read two Skymall catalogs, two different (December and January) editions of Spirit Magazine, a Spanish language edition of People magazine, a couple of Watchtower magazines I found in the night stand, a large print Reader’s Digest, some cereal boxes, the inserts for all my medications, and about 150 pages of book.

Clearly, I wasn’t loving the book. However, I still assumed it was me. I’d enjoyed books 1-4 of the series. Somehow, I’d missed number five. Surely, THIS was the reason I wasn’t getting along with book six terribly well.  By the time I’d reached the end of Section One, I was pretty clear that, nope, it wasn’t me. All of the characters’ have long, multi-syllabic, related names that I can’t keep track of, the descriptions of the interiors of caves, while undoubtedly painstakingly accurate, were duller than dust, and there are entire passages that just get repeated and repeated. And, I’ve come to understand that I’m not the only one….

And yet. I’d made a commitment. I’d bought the book. I was going to finish the book. Personally, I think of the purchase of a book as a non-verbal contract between writer, the publisher and the reader. SOMEONE must have thought it was a good read, or it wouldn’t have been published. I’ve read enough decent, unpublished manuscripts to know how hard it is to get someone to invest in a good story, let alone a bad one. I set myself a goal. Read a minimum of 20 pages a night. I was aiming for more like 50. I wound up doing about 150 pages a night, just to get it over with.  But, just like I don’t think you can rant about the current political situation if you don’t vote, you can’t whine about a book unless you’ve bothered to finish it. You never know. There might be a surprise at the end. I, for one, sit through the credits at the end of a movie, just to see if there’s an “Easter Egg“. Surely I owe an author as much as I owe a film maker. Nope. No Easter Egg.

It took me over a month to finish the damned book. I warned my husband off, but no, he had to find out for himself. He doesn’t like it either. But he’s going to finish it. He owes it to the author.

My problem is what to do with it now. I really don’t think it deserves shelf space. It’s never going to be reread. I don’t particularly want to post it to one of the online book-swapping sites because, well, it was really long, dry, repetitive and largely plotless. I can’t however, throw it out, toss it in the woodstove, or pass it on in any good conscience.

Anybody want a very slightly used copy of a very slightly readable book?

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